Painting from the body outward

I make paintings where figures and landscapes share the same space – suns, plants, and triangular forms that echo both the mountains and tents of Córdoba, Argentina. I’m interested in how migration, class, and memory leave their mark on a face and on the ground it stands on.

I work in oils, oil stick, and dry pigment, dragging the brush so earlier marks stay present. The paintings sit somewhere between folk icon and dream: direct, material images that leave space for someone else’s story.